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shostakovich violin concerto

The Scottish violinist has precisely the right stylistic range for Shostakovich’s explosive and mercurial first violin concerto. Shostakovich titled the last movement “burlesca,” an indication that fits the music’s darkly comic atmosphere. The Violin Concerto No. An increasingly tense series of variations follows, until the solo violin takes up the bass line itself before returning to its original melody. Instead, Shostakovich places his cadenza between movements, making it seem untethered, as if we have passed into some netherworld that is neither here nor there. Gidon Kremer delivers the starkest, and therefore the most authentic, version of the austere Shostakovich Violin Cto. Explore the 2020–21 season and purchase your subscription today! By this point, years of tobacco, alcohol, and state sponsored terror had taken a toll on Shostakovich; he had suffered his first heart attack the year before, the night after his final public performance as a pianist. Alas, by the time Shostakovich completed the violin concerto in 1948, the situation had changed completely. 129, one of those late Shostakovich works in which he seems to be swinging for the Beethovenian fences in the heavily polyphonic first movement. About this Piece. When Shostakovich began composing his First Violin Concerto in 1947, he was enjoying a period of relative calm. 99 ‎ (LP, Mono, Promo) Columbia Masterworks: ML 5077: USA & Canada: 1956: Sell This Version In "Nocturne," Benedetti blends her quiet yet powerful sound with the string section of the Bournemouth Symphony Orchestra, reflecting the music’s halting caution. This site uses cookies. 1 Violin Sheet Music. Not long ago I reviewed a recording of the Shostakovich First Violin Concerto by Frank Peter Zimmermann in which he went back to the composer’s original manuscript – even to the extent that the recording carried the original opus number, Op 77. By continuing to browse the site you are agreeing to our use of cookies. Ibragimova is likewise solid in the later Violin Concerto No. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Becoming increasingly paranoid, Stalin had begun an anti-Semitic campaign during WWII which intensified in 1948. !” This last phrase he shrieked out like a frenzied maniac, and then kept on repeating it. DMITRI DMITRIEVICH SHOSTAKOVICH BORN: September 25, 1906.Saint Petersburg DIED: August 9, 1975.Moscow. Fiddler on the Roof? 77: I. Nocturne: Adagio", "Violin Concerto No. The premiere of the second violin concerto was given in Bolshevo, near Moscow, on 13 September 1967 by Oistrakh with the Moscow Philharmonic under Kirill Kondrashin. The opening Nocturne is a somber, meditative soliloquy for the soloist, accompanied by dark-hued orchestral timbres: After this introspective night music, the ensuing scherzo is a wild, frenetic dance. A number of other official plaudits followed, and in 1947 Stalin ordered that the Shostakovich family be given a nicer apartment and a dacha in the countryside. 1 in A minor for Violin and Orchestra, Opus 77(99) DIMITRI DMITRIEVICH SHOSTAKOVICH. The inclusion of this motif suggests an autobiographical intent. 129, in the unusual key of C sharp minor, is the antithesis of its “friendlier” predecessor in A minor. Dmitri Dmitriyevich Shostakovich (25 September 1906 – 9 August 1975) was a Soviet Russian composer and one of the most celebrated composers of the 2. The work offers an unguarded view into Shostakovich’s private, deeply felt reserves of emotion. This was not the first time such things had happened, nor would it be the last. The latter is missing from this reading by violinist Alina Ibragimova and conductor Vladimir Jurowski, leading the cumbersomely named State Academic Symphony of Russia "Evgeny Svetlanov," but Shostakovich called the work a "symphony for violin and orchestra," and not only because it has four movements: it is an exquisite, turn-on-a-dime essay in soloist-orchestral balance that features one of the most difficult solo parts in the repertory (remarkable, in view of the fact that Shostakovich did not play the violin). COMPOSED: July 1947 to March 1948, but it was not published until 1956, with revisions possibly having been effected in the interim. World War II had distracted Stalin’s government from show trials and purges, leaving artists slightly less harassed than usual. 77, "Shakespearean," and imbued the work with a theatrical mixture of brilliance and inwardness. Your donation helps the Houston Symphony enrich the lives of more than 400,000 Houstonians annually. David Oistrakh, Dmitri Shostakovich & Sviatoslav Richter, 1969, The Tully Potter Collection. Stream songs including "Violin Concerto No. It would have been laughable if only so much had not been at stake. Dausgaard leads the orchestra in music by Denmark’s greatest musical hero, Carl Nielsen. His inclusion of klezmer-inspired music in this concerto and a number of other works that followed may have been another veiled protest against the regime. For tickets and more information, visit houstonsymphony.org. The rationales given were ludicrous; Shostakovich and other composers were forced to listen to long harangues from cultural apparatchiks laden with virtually meaningless terms like “formalism” and “socialist realism.” Despite having sincerely tried to understand these terms for the past two decades, many composers came to the conclusion that social realist works were simply the ones in favor at the moment and formalist ones were not. COMPOSED: Shostakovich composed his Violin Concerto No. DIED: August 9, 1975.Moscow. Dmitri Shostakovich, David Oistrach, The Philharmonic Symphony Orchestra of New York, Dimitri Mitropoulos: Dmitri Shostakovich, David Oistrach, The Philharmonic Symphony Orchestra of New York, Dimitri Mitropoulos - Violin Concerto, Op. 1 For Violin And Orchestra ‎ (LP, Album, RE) Мелодия, Мелодия: CM 04291-2, 33CM-04291-2(a) USSR: Unknown: Sell This Version The Violin Concerto op. State Academic Symphony of Russia "Evgeny Svetlanov,", Violin Concerto No. 1 in A Minor, Op. In this movement, Shostakovich introduces for the first time what would become his musical signature: the notes D-Eb-C-B (in German, these notes are called D-S-C-H, a cypher for Dmitri SCHostokowitsch, the German spelling of Shostakovich’s name). World War II had distracted Stalin’s government from show trials and purges, leaving artists slightly less harassed than usual. Shostakovich at this time had become increasingly interested in baroque musical forms. Violin Concerto No. 1. Your email address will not be published. Bruch wrote a couple of gorgeous concertos: it was a toss … A combination of depth, brilliance and humor, Patricia Kopatchinskaja brings a sense of theatrics to her performances of Shostakovich's Violin Concerto No. 2 in C-sharp minor for Violin and Orchestra, Opus 129. This mournful music fades seamlessly into the cadenza, an extended passage for the soloist unaccompanied by the orchestra. Shostakovich finished his violin concerto anyway, although it would not be premiered until after Stalin’s death in 1955 (the violinist for the premiere would be the great David Oistrakh, featured below. If the composer's precarious state of mind under Stalinist repression does not come through, the clean, jewel-like craftsmanship of the work does. We asked her to talk us through a work that she says is “totally overwhelming the first time you encounter it” The concerto opens with an unsettling Nocturne no. It was premiered unofficially in Bolshevo, near Moscow, on 13 September 1967, and officially on 26 September by Oistrakh and the Moscow Philharmonic under Kirill Kondrashin in Moscow. 1. The bass line in this case is a heavy, oppressive figure introduced by the cellos and basses, as horns play pulsing figures and arpeggios above it. 1. She does not miss the humor, also Beethovenian, at the beginning of the finale. ... Shostakovich - Violin Concerto No. Though not Jewish himself, Shostakovich noted that “My parents considered anti-Semitism a shameful superstition, and in that sense particularly I was given a very good upbringing.” Unfortunately, not all Soviets were so enlightened. A Guide to Shostakovich’s Violin Concerto No. Shostakovich Violin Concerto No. This certainly holds true in the sonorous opening of the First Concerto, where cellos and basses conjure a concentrated, highly-pigmented sound that sets the tone for the rest of the album and later filters up through the violas and violins; it’s ideal for Shostakovich’s searing, claustrophobic emotional landscape here, in which the tension rarely lets up, though the recording engineers allow plenty of breathing … Shostakovich: Violin concertos 1&2 (Hyperion) 0. The cadenza becomes faster and more intense as it progresses, recalling ideas from the previous movements, including the DSCH motif. 2 that I've encountered. So many of today’s violin concerto recordings sound artificial because of their spotlit miking of the violin, making it sound gargantuan in relation to the orchestra. In the arts, literature was the first target after the war, but by 1948 it was music’s turn. The First Violin Concerto is not only a major individual accomplishment from Shostakovich but it is also a major contributor to the form of the violin concerto in its four-movement form. Not long after the appearance of Shostakovich’s musical signature, the music arrives at a boisterous, klezmer-inspired central episode. Your email address will not be published. After Stalin's death in 1953, times were more auspicious. Violinist David Oistrakh, for whom both these works were composed, called the Violin Concerto No. With little warning, Shostakovich and other leading Soviet composers found that many of their works that were once praised were now banned. For his actual sixtieth birthday, Shostakovich composed a violin sonata: his Opus 134.

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